(via grannyhall)
Cartoonist portraits by Charles Burns from The Believer magazine, part of an exhibit at the Adam Baum Gallery in NYC.
(Source: thebristolboard)
I always thought this approach to composition they took in Punisher Max was really interesting, they barely ever use vertical breaks in the panels and the effect is a story that reads almost like a widescreen movie board. Almost all the visual pacing comes from the height of the panels in relation to each other. This isn’t a hard and fast rule, and it’s not difficult to find examples vertical breaks, but this format was used for the overwhelming majority of the series until Steve Dillon and Jason Aaron took the helm.
sometimes i slack off and make more posters
These are the kinds of Captain America stories I want to read. You know, the ones where he gets up, puts on his business casual clothes, sits at his desk for eight hours, and goes home to watch TV.
- Captain America #252
